Christmas Bargains

Christmas Bargains…

Christmas Bargains…

Just a quick note to let you know about TDI’s Christmas Bargains. Here at TDI we have reviewed our pricing policy and reduced out tariffs across the board.

Check out our wide selection of wildlife and macro images, and see if there is anything you would like to hang on your own wall, or give as a gift, at this special time of year. We have a range of stretched canvas, semi-gloss and premium matte prints available in sizes from A5 through to size A0 on selected images.

Prices range from £5 for an A5 Premium Matte print, through to £166 for a 40×60 inch Stretched Canvas.

Canvas prints can be purchased for as little as £20, with A3 Premium Matte prints available for as little as £10.

Our prints are professionally produced by The Printers Inc.

Here are some examples of the prints for sale in the gallery below:

Gallery of Christmas Bargains

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Best wishes,

Robin.

Where Have I Been?

Where Have I Been, What Have I Done?

Hi there, it’s good to be back. What have I been up to you may ask. Well this morning I’ve been trying to restore my Android phone back to decent health, but that’s another story entirely.

Some time back, the parents of one of my daughter’s dance peers invited us round for a meal. Bill is a big cycling fan, and does tens of thousands of miles a year on his road bike. Feeling somewhat impressed, and fueled by good company and more than a little vino, I mentioned that I had been a keen cyclist for a few of my adolescent years. This, of course, was far too many years ago to mention, and had been replaced by an incredibly sedentary lifestyle thereafter. I am, after all, paid to sit still and talk to people on a daily basis. Bill said that he, and a group of like-minded souls, went off for a ride most Sundays and that I should come along. Of course, I didn’t expect to hear anymore about this (indeed was probably hoping that I didn’t hear anymore about it…), but a couple of weekends later the posse called round at the house, and, in the rain and wind, off we went.

That First Ride

I have an old Marin mountain bike. It’s about 20 years old, and, hasn’t really seen much action at all over the time I have had it. It has mostly sat in the garage gathering dust and rust. The one time it did have a bit of excitement was when we were driving back to Ipswich from our honeymoon in the Lake District. The bikes were on the top of the car (at least for a while) until I knocked them off driving under a low car park barrier. What a mess. Still the bikes were largely unharmed, which is more than I can say for the car and my self-esteem. Back in 1992, the Bear Valley was a reasonable bike, priced at about £600. I had always found it uncomfortable, and riding it gave me numbness in the fingers. My longest ride, in East Anglia, had been 35 miles along the flat and this had taken all day. This day, I was to manage 6 miles. 3 miles there and the same again back. Nearly killed me! How could these guys go so fast without any apparent effort? I’m so short of breath!!

Further Progress

Well, not to be put off, that was the start of my regular exercise plan over the summer. We’ve had some cracking weather, and I’ve lost a stone and a half in weight, which can’t be bad. My blood pressure seems to have dropped a bit as well. The Marin now has slicks, instead of off road tyres, SPD pedals, and I have mountain bike shoes that clip on to them, and upgraded brake pads. The worn front and rear cones have been replaced with units from Australia and Spain respectively (there aren’t many of these old parts left in the world), and I am now familiar with “the chain whip”, “cassette removal tools” and “dry lube” to name but a few. I’ve even had to fix a puncture whilst being out on the road. Oh, and the other thing I realized was that large backsides need a decent saddle. I got one of those as well.

The Cat and Fiddle Challenge 2013

The Route...

The Route…

We were out on a ride one evening over the summer when Bill mentioned that there was going to be a “minor” 55 mile sportive coming up on the 6th October 2013, and I might be ready for something a little bit harder by then. Perhaps this goal would help me stay motivated to keep going with my training? So I signed up. It was only £25 and all I had to do was to increase my mileage by 10 percent a week, and the job, as they say, would be a good-un. This proved harder than I thought it would be however, with most rides on a Sunday being in the 20-30 mile range, and my mid week evening rides being in the 10-20 mile range. I was feeling stronger, but I had to know, could I even get close to 55 miles? One Sunday morning I got up early and did a 40 miler on my own, less embarrassment that way. It was mostly flat though, and I really struggled with the last five miles. Not to be beaten, a bit nearer the time, I attempted the Horseshoe Pass to test out my climbing abilities. I managed it with a couple of stops, but I was very unprepared for the challenge that lay ahead. The problem was, that I just didn’t know it yet, which, as it turned out, was probably just as well.

The Challenge

“Rourkie’s Cat & Fiddle 55 mile Cycle Challenge” has been running since 2002 in order to raise money for Cystic Fibrosis. It is organized by Brian Rourke Cycles, and starts near to the showroom in Cobridge, Stoke-On-Trent. One of the big pulls for the event is the opportunity to ride with Tour de France legend Sean Kelly.

The Week Before

I purchased some Gels (sugary drinks in a packet to give you energy when you are flagging), some new water bottles, a bar bag and a Saris Bones RS carrier for the car. For the first time, I also ordered some lycra. Having lost a stone in weight, this was going to be marginally less embarrassing than when I started. Having the correct clothing is vital for this sort of ordeal, sorry, I mean event. And hey, I would never see these people again. I could avoid Stoke-On-Trent for the rest of my life if needed!

The Day Before

I thought it would be a good idea to wash the Marin, and check the tyres. Oh NOoooo!!! Two broken spokes on the back wheel. What to do? Quick check on the internet, then dash out to try and buy replacement spokes. I was in luck, I had the spokes but no tools to remove the Cassette from the back wheel. Hadn’t known that this would be a problem. Another dash over to Bill’s place for assistance with the repair, then back home again to put it all back together. Then off to a party (was this really sensible?). Thanks to Nikki and Dave, it was indeed. Just don’t ask Bill and Ieuan about the Karaoke!

The Ride Itself

Fortunately there is no specific start time, you can register and leave any time between 8.00 am and 9.30 am. We had to set off early anyway, because our road was going to be closed that morning for a marathon, though, as it happened we had a little difficulty locating Brian Rourke Cycles so we were nearer the 9.30 to start. The weather was beautiful with sunshine for much of the day. Whilst we were registering, a couple of guys had their, very expensive, road bikes stolen, one of them virtually in front of his eyes. I guess this can happen at any venue with so many high-end products on show, but it was terrible to see the distress and disappointment. And so we set off.

Three of us, myself, Bill and his son Ieuan set off together and the first few miles out of Stoke-On-Trent had several short climbs, but we soon settled into rolling countryside. The support crew were soon setting off round the course and would pass us from time to time shouting encouragement and holding a plaque with “Go Dad!” on it out of the window. I was feeling pretty pleased with myself at this point and had somehow managed to completely forget about the 7 mile climb ahead. About 20 miles in to the ride we dropped down an incline to some traffic lights, before turning right onto the Cat & Fiddle climb itself. It’s not as steep as the Horseshoe Pass, but it is so so long, seeming to go on for ever. About a mile and a half into the climb we came across some time trialists starting their race against the clock, setting off at 2 minute intervals. It was after this that it dawned on me that at my present speed (pretty slow) it was going to take me the best part of two hours to master this hill! Ieuan had set off on his own, just to see just how fast he could complete the climb and I didn’t see him again until much much later.

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We stopped at the Peak View Tea Rooms for a coffee, cake and a sandwich or two. The support team had seen Sean Kelley who had been there much earlier. After another mile or so we passed the Cat & Fiddle Inn and then dropped down, via the A54 descent, onto the A53 for the Axe  Edge Moor Climb (5 miles). To my horror, at this point I developed a migraine, probably as a result of the gels I’d been using having too much caffeine in them which I’m a bit sensitive to. In the event this probably worked in my favour because, with the visual disturbance and headache, I had to climb very steadily taking one pedal turn at a time, which took my mind off things. Fortunately, the brufen kicked in and I could continue apace. After Axe Edge Moor, there was another short climb into Leek and all seemed fine with the world. Only 10 miles or so to go. How hard could it be? Buoyed with enthusiasm, and more gels (Isotonic and sans-caffeine this time), we set off again after a short stop. But then came Ladderedge. Ouch. Three quarters of a mile at 6.3%. I’d always wondered what that would be like on a bicycle, back in the days when I worked in Cheddleton, and now I knew. Horrible.

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On to Brown Edge. Bill and Ieuan shot off like scalded cats leaving me to plod my way up another monster climb at 5.6%, and finally Norton le Moors climb and Smallthorne Bank. Bill said I looked like a man who had used up every nano-joule of energy as I rolled up to where they waited for me at a set of lights. I felt like I had used up a few extra joules of energy that I had borrowed, and now had to pay back. And then, as if by magic, we were back where we started.

The Finish

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The finish came unexpectedly for me as I don’t think we came back quite the same way we went out, but I’m easily lost. I was surprised and vaguely disappointed that we were home. Whether it was the gels, the migraine, the exhaustion or the endorphins, I felt euphoric. Beaming, I couldn’t get the smile from my face. According to Strava, I was the slowest round the course, but who cares. I had completed 4,000 kc worth of exercise. 1,226 m of climbing and 55 miles along the road. Awesome. Bring on the next challenge!!

What Next?

I suppose that my main goal, over  the winter, is not to lose all of the fitness I’ve gained over the summer, and most of all, not to gain too much weight again. I definitely find that when I’m riding regularly that my appetite is reduced, but when I’m not it is huge. It’s much harder to find good quality cycling time in the winter months when the days are short and the weather terrible, but I’ve got the bug now – that’s for sure.

Until later,

Robin.

 

Preserving Highlights

Preserving Highlights whilst Shooting in the Midday Sun

Sandwich Terns and Gulls at Cemlyn Bay

I was recently out shooting at Cemlyn Bay and Lagoon on Isle of Anglesey. This area is famous for its Sandwich Terns and I’d popped along with a view to taking a few Tern and Gull images. The day we picked to go was bright and sunny, and we were there late morning, all of which was less than ideal. When I’m shooting wild birds in flight, I always spend a few moments working out the correct exposure, because I cannot stand reviewing my images to find blown-out highlights. Getting a good general exposure that encompasses preserving highlights, without unnecessarily under-exposing the rest of the shot (in other words shooting to the right) can be crucial to ensure a reasonable result when the birds are flying in and out of various lighting conditions.

The Aperture Priority versus Manual Exposure Shooting

Many, perhaps most, wildlife photographers shoot aperture priority and use exposure compensation. I have found that, although I have a fair idea what my D4 might think is a correct exposure, and therefore what exposure compensation I might need to dial in, in a range of circumstances, this method is completely impractical for judging exposure when photographing birds in flight. The reasons for this include:

  • The relative size of the bird in the frame changes as you track it.
  • The colour and brightness of the background may change.
  • The lighting on the bird may change as it flies under cloud, landscape or building shadows.
  • The position and brightness of the highlights on the bird may change.

All of these factors make preserving highlights particularly tricky as you need to make very complex judgements, at high speed, whilst also trying to keep the bird in the frame. You are effectively fighting the camera in this situation and there is just, for me anyway, too much to do at the same time.

Setting up for Manual Exposure Shooting

This is my process for preserving highlights. Firstly I find an area of mid-tone, usually a patch of grassy field, then with my camera set to manual exposure I zero the meter in the viewfinder and take a test shot. Clearly if the subject will be in the sunshine, your base exposure should be set using a grassy field that is also lit by sunshine. If  there is no mid-tone available you could also just take test shots of your subject instead, but this will take you longer.

The chances are that, if shooting a white gull for instance, even having taken a good base reading, there will still be some blown highlights if the bird is in the bright sunshine. This being the case, I adjust my shutter speed (upwards) or ISO (downwards) until they are gone. Usually, with my bird photography, I will be using my 600mm at f4 and looking for at least 1000th, preferably 1600th-2000th, second to freeze the wing tips.

In and Out of Sunshine

In the situation where there is a major shadow in the overall scene, and the birds are moving in and out of that shadow, you can take additional test shots to establish the exposure for that too. Again, according to circumstances, you might use a decrease in shutter speed or, more likely, an increase in ISO. Once you have established the settings for the shaded area it is easier, using the in-viewfinder information, to alter the exposure by the exact amount needed during actual shooting. Equally, if you were shooting at f8 in the sunshine for example, you could open up the aperture instead using the same method, though this will change your depth of field.

Shooting in Overcast Weather

Preserving highlights in overcast weather may be more straightforward in the softer light. Nevertheless when shooting in overcast weather, it is still sometimes the case that you take a base exposure and still get a small amount of apparent highlight clipping. If you have been shooting raw files this is easily retrieved in post production. It is up to you whether you take this chance or not, but my advice would be that, in this situation, you don’t delete any shots because of the blinkies as they may well be salvageable. For myself, I would still try and find an exposure to preserve the highlights if possible.

 Cemlyn Bay Shoot

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NetMagic

The NetMagic Shoot

Bill and Wendy from NetMagic are friends of mine. Bill has been helping me get started with cycling again, after a 20 year rest from regular exercise (I kid you not!!). In a way, that’s a whole blog piece for another time. I’m certainly not willing to share any images of me as a MAMIL until I’m quite a lot fitter, the shame would be much too alarming for my family (and me of course!).

The NetMagic team are working on their web presence at the moment, and Bill mentioned to me that they were looking out for suitable images. I offered to help out with the corporate portraits and an image that gave a sense of the purpose of the enterprise, which is essentially all about helping students (see below).

NetMagic Tuition and Training Services provides:

  • Private tuition (GCSE and AS/A2 level) in a range of subjects
  • Exam Preparation and Study Skills support
  • University Application Advice (Personal Statement Review)
  • Oxford and Cambridge Application support with preparing to apply, the application process and mock interviews.
  • Specialist support for students with specific learning difficulties of all ages, such as those with dyslexia, dyspraxia and autistic spectrum disorder.

The Technical Stuff

I used 2 setups for the shoot. First-up was a black (velvet) background with two flash. The first as a keylight at 45 degrees above the subject, shot through my favorite double diffused, 54cm Lastolite  Professional, Joe McNally EzyBox Hotshoe. The second strobe was a hair-light shot through a grid. Both flashes were on Pocket Wizard Flex TT-5 radio triggers, and so easily controllable from camera. Both lights were set camera-left. The set (on the kitchen table, as it happens) was built with books from my study and props from the kitchen. I have heard it stated that you should use the same quality of light on the hair as with the keylight, but I really like the sharpness of a grid spot on the hair and I think that a lot of photograhers shoot that way.

The second setup was a more traditional corporate portrait affair. Keylight courtesy of Joe McNally, a Lastolite Tri-Grip reflector and a low-tech grey background (a £7 grey bed sheet, courtesy of ASDA), in this case, simply thrown over the velvet background panel and clipped on with A-Clamps to keep it taut. A hair-light shot through a grid, and finally a background light shot through a Lastolite Micro-Apollo softbox. Again all the strobes were on Flex TT-5 radio triggers controlled from the camera.

Post-Processing

Given the nature of the lighting, not too much was required. A quick run through OnOne software’s Perfect Portrait 2, the addition of mid-tone contrast from Color Efex Pro 4 and my usual 3-pass sharpening regimen.

The Images

The best way to see them is to swing by NetMagic and check out their excellent facilities. You may well know someone that could benefit from their services and they would be delighted to take your call.

Cheers,

Robin.

Print Sales Update

Print Sales Update

Barn, Little and Great Grey Owl Prints now for Sale

Just a brief note to let you know that I have extended the availability of owl prints from TDI to include a selection of Barn Owls, Little Owls and Great Grey Owls. Images of the owls were taken in a range of settings including some at night and in the snow, static and in flight. The Great Grey Owls in flight are particularly attractive. This print sales update is in addition to the previously available Long-Eared and Eurasian Eagle Owl photographs.

Prints of a wide range of other birds of prey (including Falcons, Buzzard, Golden Eagle and Merlin), the Deer rut, Seals and a collection of Macro images are also available for purchase under Print Orders from the TDI homepage or other page menu header. Over the coming weeks I will be adding a  selection of Red Kite images and extending the Macro collection with some of my favourite lifestyle images.

Selection of Images from the Owl Collection

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If you live in Cheshire and would like to experience a diverse range of birds of prey at first hand, check out the Gauntlet Birds of Prey Eagle and Vulture Park. They have daily flying displays and knowledgeable staff. They offer a range of bird of prey experiences, for individuals, families, for half days and full days. They also offer photography workshops.

Best wishes,

Robin.